Susan Cheever

American Bloomsbury: Louisa May Alcott, Ralph Waldo Emerson, Margaret Fuller, Nathaniel Hawthorne and Henry David Thoreau is in it's second month on the Boston Globe best-seller list!

Have a look at my Amazon blog.

Here's a nice early review:
US Weekly Meets the American Golden Age
We can’t remember the last time we enjoyed popular history as much as American Bloomsbury (out 12/19), Susan Cheever’s smart, dishy romp through the intersecting personal lives of a cluster of geniuses who all lived in Concord, Massachusetts, in the mid-1800s.
Cheever focuses on three houses that were, at various times, home to a mind-boggling range of bohemian literary bigs — Ralph Waldo Emerson, Henry David Thoreau, Louisa May Alcott, Nathaniel Hawthorne, and Margaret Fuller — while also working in bits about the neighbors (Henry James, Oliver Wendell Holmes) and the larger circle of friends (Herman Melville, Walt Whitman, Edgar Allan Poe).
The Concord gang transformed not only American literature and culture, they transformed each other, seducing one another — both intellectually and physically. For starters, Alcott was in love with both older man Thoreau and then much older man Emerson, while Emerson exchanged love letters with Fuller, though handsome Hawthorne (“a rat with women,” according to Cheever) also enthralled her.
All of these characters have, of course, been subject to countless biographies. But Cheever’s deft chronicling of their interwoven lives and her heavy quotation of overheated excerpts from private writings (“On his lips is the perfumed honey of Hymettus,” Fuller wrote of Emerson, “but we can only sip”) make this slim volume an unexpected delight.
BUY American Bloomsbury (Simon & Schuster; 200 pages)

It was a privilege to write about these great men and women, and a thrill to discover their private lives. The book begins when the Alcotts move to Concord in 1840,and ends in 1868 when Louisa May Alcott reluctantly sat down to write "Little Women". It explores the variety of intimacies between these Concord residents and by adding the women in the community into the story, it changes the story. It asks the question: how did so much great literature come to be written in a few houses over a few years?

American Bloomsbury will be available in the beginning of December in most bookstores or on Amazon where you can also check out my book blog.













My Name Is Bill: Bill Wilson--His Life and the Creation of Alcoholics Anonymous, Susan Cheever's biography of Bill Wilson was published in 2004. The paperback was published in August 2005.

Since 1980, Susan Cheever has also published five novels, a biographical study, and four memoirs including "Note Found in a Bottle" a book about drinking published in 1999, and the best-selling "Home Before Dark", a memoir about her father.
Cheever has written for many publications including The New Yorker and The New York Times. She has taught at Yale University and at The New School. She is on the faculty of the Bennington College MFA Program. She has been nominated for the National Book Critics Circle Award and won a Guggenheim Fellowship, a Winship Medal, and an Associated Press Award. She is a director of the Yaddo Corporation and a member of the Author's Guild Council.
Her most recent memoir is "As Good As I Could Be: A Memoir of Raising Wonderful Children in Difficult Times." It's her fourth memoir about her family, including "Home Before Dark" (about her father), "Treetops" (about her mother), and "Note Found in a Bottle" (about herself).

"I don’t feel that I choose memoir,” she once told an interviewer. “It chooses me.”

Photo Credit:Sigrid Estrada

How I came to write a biography of Bill Wilson (2004)

About five years ago Time Magazine asked me to write a profile of Wilson, the cofounder of Alcoholics Anonymous. I was amazed to find that although there had been some books about Wilson including his own and his wife Lois' autobiographies, there had never been a proper, fully documented biography. Bill Wilson is one of the most influential thinkers of the 20th century, a man who founded a movement which changed all of our lives. I felt he deserved the best biography I could write. I began the book respecting him as a teacher and a writer. By the time I finished that respect had doubled and redoubled. I hope that my book does justice to this extraordinary man and gives some sense of his amazing life story.



A 1999 note on my latest memoir:
I am just about to publish a book about raising my two children titled As Good as I Could Be: How to Raise Wonderful Children in a Difficult World which will appear in May of 2001. Essentially it's a memoir about the adventure of raising children in our fragmented and crazy world. My kids--a daughter who is now a Freshman at Princeton, and a ten-year-old son--didn't have many of the things that kids are supposed to have--family stability, money, consistency--yet they are fabulous, wonderful children. In thinking about how that happened--what it was they did have that helped them so much--I began to think about writing this book. I have also been writing a column about raising my children in Newsday for eight years now, so I had a wonderful record of our lives together to draw on.

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What motivated you to write it?
Much of my writing begins with a question. In answering the question, I find myself planning a book. I wanted to know what it was about the way I raised my children that worked so well. I was curious about the ease with which we all stayed friends throughout their different phases. In each book I have written, I have changed. Each book is a journey for me as well as for the reader.

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How long did you spend writing it?
Writing a book takes me from one to five years. In this case I had been working on the material for eight years as a columnist. It took me a year to write the book itself.

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What was the most challenging aspect of the research/writing?
It was hard to find the right voice. I wanted to be light hearted about child-raising, but I didn't want to diminish the seriousness of the subject. I also felt very strongly that I had to be honest. So much of what has been written about raising children is painted in an un realistically rosy light. That artificial reality isolates parents and makes them feel inadequate. It was hard to be honest, though. I love my children passionately and I wanted to forget that there had ever been any friction between us.

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What other books would you recommend to someone who likes this one, or who is interested in its subject matter?
Anne Lamott's Operating Instructions and Charlotte Bronte's Jane Eyre.

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Sobering tome
Susan Cheever redefines alcoholism
by Johnette Rodriguez
Susan Cheever's father left her two difficult acts to follow: his life as a writer and his life as an alcoholic. His writing brought John Cheever the
money and status he so desperately wanted, and it stirred all three of his children to become writers. His drinking and his recovery -- he was sober for seven years before his death of cancer in 1982 -- gave Cheever both good and bad models for her own trajectory.

These two roles have led to her most recent memoir, Note Found In a Bottle (Simon & Schuster), from which she will read on Saturday, May 29 at 1 p.m. at the Brown University Bookstore (she's a 1965 Brown grad). A deceptively simple book, written in an episodic fashion, in short, cryptically titled chapters, Note Found In a Bottle allows the reader to dip in and out of Cheever's tumultuous life: three marriages and many lovers; teaching jobs, civil rights activism, newspaper and magazine jobs, her first novel; trips with various husbands to Spain, France, England, San Francisco; and, most significantly, the births of her two children, Sarah (17) and Quad (9).

But despite Cheever's retelling of her 30 (or more) years of drinking -- she quit for the last time in '92 -- her book does not read like just another story of a drinking life. It gets under your skin.

The opening chapters are evocative reminders of what it was like to be a child in '50s suburbia, when Cheever's grandmother taught her how to make a martini at the age of six, when the allure of her parents' drinking lay in refilling the ice trays, popping salty olives and snitching a few nuts from the coffee table. Looking back through the prism of time, Cheever now recognizes that her trouble in school, with men, with money, with life decisions -- all were inextricably tied up with the beer, wine, champagne, brandy and gin that she was taking in almost as naturally as breathing.

"This was a very difficult book to write," she recalled, in a phone conversation from her New York apartment last week, "because I wanted to paint a picture of alcoholism that would change the way people see alcoholism. I didn't want people to be able to say, `Oh, that's not me,' or `I never did that.' I really wanted to redefine alcoholism. I don't think I did, but it was a big task I set for myself."

Driven by her personal observation of the problems alcohol had created in her family and determined to record the path of her own addiction, Cheever wrote draft after draft, including one that her neighbor across the hall found in the trash. The neighbor came upon it, started reading and couldn't stop. She rang Cheever's doorbell to tell her that, and Cheever credits her and others like her with giving her the support to go forward on the book.

Recently back from a a book tour, Cheever now thinks she would have written a much stronger book if she'd realized how many people in this country had the same story as hers -- or worse.

"I think I would write a preface that would say, `Listen up, dummies,' " she remarked, her voice edged with anger. "Fifty percent of all traffic fatalities are alcohol-related, and guess who's in that? Your kid, right? Twenty-five percent of all hospital admissions are alcohol-related, so guess how much that costs? And then domestic violence."

"Somehow an entire nation is looking the other way," Cheever continued. "Here we are, in a country, la-dee-da, everybody's drinking. There are ads for drinking all over the place. I'm much more worried about the ads for liquor on television than I am about the violence on television. I mean, my kids are being told that beer is cool, and kids in school are doing projects aping the ads for that cool vodka. What are they doing?"

The statistics she learned from the National Council on Alcoholism just before her book tour shocked her. She started reading newspapers and noticing that almost every day there's an alcoholism story that isn't reported that way, from the drunken guys who killed Matthew Shepard to the drunken Boris Yeltsin who is killing his country. Cheever wrote a story about Alex Kelly for the New York Times that went back through his "playing quarters" on the night of the alleged rapes (tossing quarters into beer bottles to see who drinks the next beer); his record of DWIs; his first arrest for pot at 13; his being "always in trouble."

Recognizing the invisibility of the issue in the daily press has reinforced Cheever's strong feelings about the double standard set up for smokers and drug addicts vs. alcoholics. At the many dinner parties she attends, where quite a lot of drinking is the norm -- "two scotches, three glasses of wine and a couple of brandies" -- smoking and drugs are absolutely not allowed.

"When you look at what we've done to people who smoke," she noted, "and I'm not saying smoking is o.k., but drinking until you're drunk is also not o.k. and you never hear about it. People don't drive cars off the road and kill whole families because they're smoking. I'm just saying we shouldn't be blind to it -- it makes me crazy."

Cheever's own wake-up call came when her children were born, and though she didn't quit completely until her daughter was 10 and her son was three, she understood that she had something to live for -- "they opened my heart and made me want a different kind of life and made me not want to die." After writing a column about raising her children for the past seven years for Newsday, she is now tackling a book on the topic.

In addition to her children, what helped her get and stay sober, she maintains, in just a few paragraphs of the book, was her spiritual faith, the embracing of the Episcopal God of her youth. Yet she holds her beliefs close to her chest, far too personal to explain: "I wouldn't believe in a God I could describe. I think God is beyond words, so it's very hard to talk about God. I think it's all pretty mysterious."

Cheever says that some readers didn't want to hear about faith, however. And some readers complained that her story wasn't "dramatic" enough, as if she should have been in jail or in the gutter, though she stresses that her whole point was that she wasn't that stereotype.

"I just want people to pay attention," she reiterated. "I think if anyone looks carefully at the role of alcohol in our society, they'll have their socks knocked off. I'm not saying people shouldn't drink. I'm just saying they should notice. I guess that's my message: `Look! Look! Look!' "

Certainly if Cheever's book alone doesn't accomplish that mission, hearing her talk about the book will.